The Kestrel is the second novel in the Westmark trilogy, and, like many good sequels, it deepens the themes and muddies the morality from the first book. Theo, the printer’s devil and main protagonist of the series, has been exploring the kingdom to get an honest feel for the people and the land when an assassination attempt is made on his life. Meanwhile, a faction of Westmark noblemen and military officers conspire with the king of neighboring Regia to invade Westmark and force Queen Augusta, the Beggar Queen, from the throne.
War breaks out and it’s a nasty, tough business – even if this is more or less a children’s fantasy novel. Things get truly dark as Theo joins with the partisan troops of the democratically-minded Florian. Alexander doesn’t flinch from the sins of the soldiers, even the “good” characters, the ones whose aims we sympathize with. There is a toll to the violence and a growing amorality as tough decisions are made and callousness in the name of their cause prevails.
The conflict between monarchy and the rights of commoners – a burgeoning democratic spirit – deepen, as well. This is a story with a lost princess reclaiming her throne that did not end there but instead asks if she even deserves a throne in the first place. I’ve never seen this element in a fantasy series before and I admire it greatly. Alexander is asking some tough ethical questions here in the frame of a children’s story and he doesn’t force feed any trite answers down our throats.
The Kestrel may be a darker sequel but it still has plenty moments of fun and is entertaining throughout. If Westmark is to Star Wars then The Kestrel is to The Empire Strikes Back. It remains to be seen whether The Beggar Queen is this trilogy’s Return of the Jedi. P.S.: this is a secondary world fantasy series without one ounce of magic! It’s truly doing its own thing.